Nikon’s not exactly late to the mirrorless party; it was there in the early days with its series, an odd line based around a 1-inch sensor which eventually fizzled away. But it is last to bring an APS-C enthusiast model to a market segment dominated by the and , and to a lesser extent, the cheaper and more entry-focused Olympus Pen E-PL9. Based around Nikon’s full-frame Z mount, it’s accompanied by two new lenses that are more in line with what photographers at this level need when it comes to price and features, and the package should definitely appeal to Nikon fans.
Though smaller than the company’s entry-level SLR, the Canon’s smaller EF-M mount., it’s still roughly the same size and weight as the A6400; the M50 is a little smaller and lighter because it’s based around
The Z50 doesn’t have the same body as its full-frame siblings, the, but it does have a similar big comfy grip, magnesium alloy body and just slightly off-center viewfinder. It supports the same mount adapter for using F-mount lenses, but Nikon doesn’t bundle it as it does for the higher-end cameras. The sensor is the same as the one found in the .
It’s got all the competitive features, including a flip-down touchscreen display with a selfie-specific mode, 4K video and the ability to record 1080/120p slow-motion video in-camera, time lapse and interval timers, an OLED viewfinder, eye-detection autofocus and so on.
The one feature that continues to be frustratingly absent from these cameras, in-body image stabilization (IBIS), remains absent here as well.
The two new kit lenses, typical slow-ish 16-50mm and 50-250mm models, together cover the most popular general-purpose shooting range and incorporate optical stabilization with roughly 4.5 to 5 stops of compensation, respectively. They’re manually collapsible rather than power zooms, which means you get the annoying message telling you to extend the lens (with an extra rotation of the zoom ring) every time you start up. On the Z50, the 16-50mm lens does make an attractively compact package.
A control ring, which you can program for any number of adjustments, has a smooth rather than stepped movement so you don’t hear a click when shooting video and designed for minimal focus breathing, the slight but frustrating reframing that occurs when you’re focusing video.
The Nikon Z50 will ship in November 2019 in three kits: body-only for $860, a kit with the Nikkor Z DX 16-50mm f3.5-6.3 VR for $1,000 and a dual-lens kit with the 16-50mm and Nikkor Z DX 50-250mm f4.5-6.3 VR lenses for $1,350.
At the other extreme, Nikon also debuted its much-anticipated reboot of its ultrafast Noct film lens, the Nikkor Z 58mm f0.95 S Noct, which is optimized for night shooting — a small LCD displays lens settings for viewing in the dark — and reproducing point light sources. It’s got both of Nikon’s top coatings, Arneo and Nano Crystal Coat, and of course fluorine on the front element for protection.
There’s a lot of glass in it, so it’s pretty heavy. And so’s the price: it will be $8,000 when it ships at the end of October.
|Canon EOS M50||Nikon Z50||Sony A6400|
|Sensor effective resolution||24.1MP Dual Pixel CMOS||20.9MP CMOS||24.2MP Exmor CMOS 14 bit|
|Sensor size||22.3 x 14.9mm||23.5 x 15.7mm||23.5 x 15.6mm|
|Sensitivity range||ISO 100 – ISO 25600/51200 (exp)||ISO 100 – ISO 51200/ISO 204800 (exp)||ISO 100 – ISO 32000/ISO 102400 (exp)|
|Burst shooting||7.4fps 47 JPEG (10fps with fixed focus and exposure; Servo AF not supported with raw)||11fps n/a||11fps 99 JPEG/46 raw|
|Viewfinder (mag/ effective mag)||EVF 0.4 in/10mm 2.4m dots n/a||OLED EVF 0.4-inch/10mm 2.4 million dots 100% coverage 1.02x/0.68x||OLED EVF 0.4 in/10 mm 2.4 million dots 1.07x/0.7x|
|Autofocus||143 points phase-detection AF (with specific Canon lenses); 99 points||209-area Phase detection||425-point phase detection, 425-area contrast AF|
|AF sensitivity||-2 – 18 EV||-2 – 19 EV||-2 – 20 EV|
|Shutter speed||30 – 1/4000 sec.; bulb; 1/200 x-sync||30 – 1/4,000 sec; 1/200 x-sync (also auto FP high-speed sync)||30-1/4000 sec.; bulb; 1/160 x-sync|
|Metering||384 zones||n/a||1,200 zones|
|Metering sensitivity||0 – 20 EV||-4 – 17 EV||-2 – 20 EV|
|Best video||H.264 QuickTime MOV 4K UHD/24p at 120Mbps, 1080/60p, 720/120p||H.264 QuickTime MOV, MP4 UHD 4K/30p; 1080/120p||XAVC S at 100Mbps; UHD 4K/30p; 1080/120p|
|Audio||Stereo; mic input||Stereo, mic input||Stereo, mic input|
|Manual aperture and shutter in video||Yes||Yes||Yes|
|Maximum best-quality recording time per clip||4GB/29m59s||29:59 mins||n/a|
|Clean HDMI out||Yes||Yes||Yes|
|IS||Dual Sensing IS (Optical with gyro data sent from body)||Optical||Optical|
|Display||3-inch/7.7 cm Articulated touchscren 1.04m dots||3.2 in/8 cm Tilting, flip-down touchscreen 1.04m dots||3-inch/7.5cm Tilting, flip-up 921,600 dots|
|Memory slots||1 x SDXC||1 x SDXC||1 x SDXC|
|Wireless connection||Wi-Fi, NFC, Bluetooth||Wi-Fi 5 (802.11ac), Bluetooth||Wi-Fi (802.11b/g/n), NFC, Bluetooth|
|Battery life (CIPA rating)||235 shots (875 mAh)||320 shots (VF), 280 shots (LCD) (850 mAh)||360 (VF), 410 (LCD) (1,020 mAh)|
|Size (WHD)||4.6 x 3.5 x 2.3 in 116 x 88 x 59 mm||5.0 x 3.7 x 2.4 in 127 x 94 x 60 mm||4.8 x 2.8 x 2.4 in 120 x 67 x 60 mm|
|Body operating weight||13.8 oz (est.) 390 g (est.)||14 oz (est.) 397 g (est.)||14.3 oz (est.) 403 g (est.)|
|Mfr. price (body only)||$629.99 £539.99 n/a||$859.95||$899.99 £949 AU$1,499|
|Primary kit||$799.99 £649.99 AU$949 (with 15-45mm lens)||$999.95 (with 16-50mm f3.5-6.3 VR lens)||$999.99 £999 AU$1,699 (with 16-50mm power zoom lens)|
|Release date||April 2018||November 2019||January 2019|