Anamorphic lenses are normally something you’d find in a professional cinematographer’s kit bag. These lenses provide a wider aspect ratio that you get in a wide angle lens, along with distinctive blue-line lens flares that give footage a much more filmic quality. Moment’s mobile anamorphic lens does exactly that for your iPhone.
Clip it on and it’ll squeeze your footage into the shorter, wide shots format that completely transforms the look of the video you can take from your phone. I’ve absolutely loved the look of my phone footage using the lens and it’s a must-have for any budding film producers wanting to up their game with their phone.
You’ll need to shoot with apps like Filmic Pro that let you “unsqueeze” the footage so it doesn’t look all distorted on most cameras. The lens uses a bayonet mount that attaches to compatible cases, including Moment’s own ones or a variety of third-party options, including the SmallRig cage mentioned above.
The iPhone 14’s built-in image stabilization is already superb, but for an even smoother ride, consider using a dedicated gimbal like DJI’s OM 5. It evens out all but the most aggressive movements, allowing you to get smooth tracking footage of you running behind your subject as you film a chase scene.
It also has a built-in extendable selfie stick, which not only makes it great for YouTube vloggers, but also allows for more creative angles by holding it up higher, or even flipping it over and having the camera run close to the ground or through grasses.
At $1,349, industry goliath Profoto’s B10 studio flash will be little more than a pipe dream for most. But if you want to get truly professional lighting on location or in a studio using your iPhone, the B10 is second is one of the best iPhone camera accessories. . This pro flash is designed primarily for use with DSLRs but can also be used with iPhones and Android phones via the Profoto app. If you’re ready to take your smartphone photography to the next level, it allows you to get shots with your phone that would simply not be possible to achieve without it.
Sure, most pros probably wouldn’t consider shooting a major project on just their phone, but it’s a potentially great backup in case of camera failure, or simply a lightweight and convenient way to test ideas in the field without hauling bags of gear around.
It also comes with a carrying case that will protect it from other elements. Its rechargeable battery provides a battery life that can provide more than 400 full flashes.
Having a solid tripod can make all the difference in getting stable, wobble-free video, particularly if you want to put yourself in the frame. PolarPro’s Apex Minimalist tripod is a great option for mobile producers, as its compact size means it’s easy to chuck into a backpack, but it’s burly enough to support bigger cameras should you need to.
I love using it for static shots, and for holding my phone up to shoot vlogs while walking around. It comes either with an integrated twist-locking ball head, or as the tripod legs only. I prefer the latter as it allows me to use my own compact ball heads, which are more stable with heavier loads.
